The rise of the modern art market in London, 1850–1939

Manchester University Press

2011

XVI, 346 p.

9780719084607

Introduction. The state of the field - Pamela Fletcher and Anne HelmreichI. Structures1. 'Florid-looking speculators in Art and Virtu': the London picture trade c.1850 - Mark Westgarth2. Shopping for art: the rise of the commercial art gallery, 1850s-90s - Pamela Fletcher3. The Goupil Gallery at the intersection between London, Continent and Empire - Anne Helmreich4. Marketing Post-Impressionism: Roger Fry's commercial exhibitions - Anna Greutzner Robins5. Strategies of display and modes of consumption in London art galleries in the Inter-war years - Andrew StephensonII. Intersections6. The art press and the art market: the art of promotion - Julie F. Codell7. 'The Call of Commerce': The Studio magazine in the 1920s - Ysanne Holt8. Decorative politics and direct pictures: Hugh Lane and the global art market, 1900-15 - Morna O'Neill9. Matthew Smith, the Tate Gallery and the London art market - Alexandra MacGilpIII. Negotiations10. Millais in the marketplace: the crisis of the late Fifties - Malcolm Warner11. Branding the vision: William Holman Hunt and the Victorian art market -Brenda Rix12. Negotiating a reputation: J.M. Whistler, D.G. Rossetti and the art market 1860-1900 - Patricia de Montfort13. Home from home: some Australasian artists in London 1900-14 -Pamela Gerrish NunnBibliographyGlossaryIndex

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