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Canada's best features

critical essays on 15 Canadian films / ed. by E. P. Walz


Canada's best features

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382 p.


Cross/cultures ; 56



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Acknowledgements and List of FiguresNotes on Reference ProcedureIntroduction1 CHRISTINE RAMSAY: Canadian narrative cinema from the margins: 'The nation' and masculinity in Goin' Down the Road 2 JIM LEACH: Double vision: Mon oncle Antoine and the cinema of fable 3 TOM McSORLEY: The Apprenticeship of Duddy KravitzOr, the anxiety of influence 4 ANDRE LOISELLE: Michel Brault's Les Ordres: Documenting the reality of experience and the fiction of history 5 PETER MORRIS: Canadian gothic and Les bons debarras: The night side of the soul 6 BLAINE ALLAN: The Grey Fox afoot in a modern world 7 SUZIE SAU-FONG YOUNG : "Forget Baudrillard": The horrors of 'pleasure' and the pleasures of 'horror' in David Cronenberg's Videodrome 8 BART TESTAThe decline of frivolityand Denys Arcand's American Empire9 BRENDA AUSTIN-SMITHGender is irrelevant: I've Heard the Mermaids Singing as women's cinema10 ANGELA STUKATOR: Pictures of age and ageing in Cynthia Scott's The Company of Strangers 11 THOMAS WAUGH: Home is not the place one has left: Or, Masala as 'a multi-cultural culinary treat"? 12 GEORGE TOLES: Drowning for love: Jean-Claude Lauzon's Leolo 13 WILL STRAW: Reinhabiting lost languages: Guy Maddin's Careful 14 CATHERINE RUSSELL: Role playing and the white male imaginary in Atom Egoyan's Exotica 15 ELUNED JONES: Reconstructing the past: Memory's enchantment in The Red Violin JOHN SCHOLES WITH GORDON COLLIER AND GENE WALZ : Canadian film: A select annotated bibliography Contributors

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